i coudn't get the picture of the lineages to show, computers are not my strong suit, sorry.
heres the site link with the whole shabang; actually quite informative as you'll see below. I
f this was the main story told to the world i wouldn't have an issue to speak of , eccept for the tiny bit of folly that gives credit/pretends that most if not all of the chens learned & taught Taijiquan before Yang Lu Chans TEACHER WAS TAUGHT BY JIANG FA !
ALTHOUGH IT WAS WHT I CONSIDER A MATTER of economics the fact that there was never a correction of the actual truth concerning the family history and the fact they they benefited greatly because of that is just not tasteful to me.
I Do think chen family martial arts are indeed useful and practical.
what i'd really like to know is who started teaching the chens about the internal methods of Taijiquan when it was decided that thw whole clan would go in that direction

that would really shed light on what they have and whether it could be considered as taijiquan .
don't forget just becuase an art is socalled internal doesn't automatically make it taijiquan , even if it loks that way when performed. like the master on youtuibe who was supposed to be performing lie he ba fa , but did more of a taijiquan form and still it was not tight enough ; it sure was pretty though.
There are two principal traditions of Tai Chi in the Chen Family. In both cases the traditions were a combination of the Tai Chi that was taught to the Chen Family by Chiang Fa with the traditional Chen Family Cannon Pounding (Pao Chui) art which had derived from the Shaolin Temple tradition.
One school of Tai Chi, the so-called Old Frame of Chen Tai Chi developed from Chen Chiang-hsing (who taught Yang Lu-chan) and his student, Chen Gen-yun. His student Chen Yan-xi taught Chen Fa-ke (1887- 1957, the foremost exponent of this style whose students are responsible for its spread.
The New Frame of Chen Tai Chi developed from Chen You-heng, another student of Chiang Fa and developed via Chen Chung-sang to Chen Xin [a.k.a Chen Pin-sang] (1849-1929), the foremost latter- day exponent of this style .
The Old Frame Chen Style of Tai Chi bears a close resemblance to the New Frame Chen Style and also to the Zhao Bao and Hu Lei styles. Apparently it is not based on the classic '13 postures' which are central to the Yang and Wu Styles of Tai Chi and so it varies considerably from them.
The Development Of Chen Taijiquan
The Chen Family Cannon Pounding Art (Pao Chui)
The Chen family assimilated all the arts they practiced and created their own version of the predominant art which they practiced, Cannnon Pounding (Pao Chui), derived from the original Shaolin Cannon Pounding art. Sung Tai Zhu Chang Chuan formed a major part of this new art and there were elements from Shaolin Red Fist in it.
What resulted is five routines of Chen family Pao Chui and one routine of `Short Hitting' (duan da) and the song formula stated a total of a 108 postures consisting the art. There is much confusion over this particular song formula but on closer examination the correct name should be 'Boxing Canon Complete Formula' and is only found in the later Liang Yi Tang Ben manual. By the time the Wen Xiu Tang Ben Chen family martial arts manual was written it was noted that the `second and third routines are lost'. The Wen Xiu Tang Ben makes no reference to an art called Taijiquan or '13 postures' or 13 anything for that matter. So it is an early reference to the state of the Chen family arts before the advent of the Taijiquan of the Chen family that we know today.
The Chen family was famous for the Cannon Pounding art for several generations and gained the beautiful name of `Cannon Pounding Chen Family' (Pao Chui Chen Jia) in the region around the Chen village.
The Simplification Of Chen Routines
Somewhere along the line the Chen Pao Chui art was simplified to just two routines. We have no evidence to indicated who was the one responsible for this simplification. The furthest that we can trace it back is to Chen Chang Xin, Yang Lu Chan's teacher. But even the Chen family geneology book does not indicate that he was responsible for this momentous change, only indicating that he was a boxing teacher with a nickname `Ancestral Tablet'.
We know for certain that two of the routines were already lost by that time and so only the 3 remaining could account for the final two routines. Whether there was an integration or that another routine was lost through time resulting in the final two is not certain at all.
The Advent Of Internal Boxing In The Chen Arts
When did the Chen arts become a form of internal boxing as opposed to to their parental arts which were external boxing?
Most of the Taijiquan lineages regard Jiang Fa as the one providing the input that transformed the art from the external Cannon Pounding to the softer internal art. Some have also credited his input as the reason why the transformed art was called Taijiquan, a name reflecting a Taoist origin and also the classification of the art as an internal one. The name, however, was not widely used for the art until Yang Lu Chan popularised it in the capital city of Beijing. From the early writings, we know that the form was originally called the '13 postures' and by that time the name Taijiquan was already in use as evidenced by the Taijiquan Classic of Wang Tsung Yueh and the Ten Important Discourses Of Chen Chang Xin1.
This post has been edited by taichibulldog: 12 June 2008 - 04:45 AM
We make our own realities or we follow the Tao as best we can .
This choice is unfortuantely not usually an instinctual one for most people ; as such if we are fortunate enough to know this choice exist , we can only make one sensible choice being YANG.
The Yin choice is still chosen by those who know BETTER , just like the man who wanted to go back to the life of the MATRIX . Can we say that his choice is wrong for him ? No, only he can do that. ! Hunyuan & Shalom